The Passion For Metric Halo
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Metric Halo's MIO 2882+DSP handles
location audio for "The Passion of the Christ" (from
left) Maurizio Argentieri, sound mixer; Vincenzo Nardi, boom
operator; and Mel Gibson, director.
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ROME, ITALY: A location sound recordist with a passionate, audiophile
approach to his craft, Maurizio Argentieri found the audio interface
of his dreams two years ago when he read about Metric Halo’s
Mobile IO 2882+DSP on the Internet. An audio engineer in the Italian
film industry for over 15 years, the Rome native’s recent
work can be heard in Mel Gibson’s “The Passion of
the Christ” as well as Mike Barker’s upcoming "A
Good Woman" and Michael Apted’s much anticipated HBO
series, “Rome.”
Argentieri uses Metric Halo’s MIO 2882+ DSP and Spectrafoo
metering software with MOTU’s Digital Performer as the host
application on his Powerbook G4. “I chose the Metric Halo
interface because it was the only one to use Firewire bus power,”
he explains. “In my application this is a very important
characteristic, because we do not always have electrical power.”
He continues, “My approach to audio recording is much closer
to audiophile people than the professional category of audio engineers.
In my opinion, the MIO has the best sounding converters of the
category. That is the main reason that gave me the push to buy
it.”
Using his high-end, Metric Halo-based recording setup, says Argentieri,
he can hand the film editor a 16-bit CD of the rough dialog mix
at the end of each workday. “I've always dreamed of an instrument
capable of recording ready-to-use audio files on the set. I know
there are machines on the market capable of recording audio files,
but if I have to use a hard disc recorder I prefer to do so using
a computer with a host application that gives me the possibility
to have plug-ins at my disposal.”
In the past, he used a pair of traditional location recorders
to capture eight tracks, but “suffered under their weight
and bulk,” he says. “Today, with my MIO, I only have
my CPU, interface, and the rack with my preamplifiers, giving
me all the power I need on the set, including EQ, compressors,
delay, and perhaps the most powerful metering software in the
world, SpectraFoo.”
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Maurizio Argentieri,
sound mixer, "The Passion of the Christ", used
the Metric Halo MIO 2882+DSP to
handle the location audio. Photos: Philippe Antonello
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The Italian engineer believes that the sound of any movie is,
for the most part, built on location. “The biggest
responsibility of our work is to remain loyal to the desires and
needs of the director and to insure that everything recorded on
the set is exported intact. So, I don't limit the sound recording
to the dialog but include every ‘one-time event’ that
happens in front of the camera.”
To achieve that coverage, Argentieri typically utilizes a centrally
placed mono mic for the dialog with a separate setup picking up
the stereo soundstage. On a multi-camera shoot where booms cannot
be used he will also record individual radio mics to separate
channels to give the dialog editor more to work with. “I
absolutely need an interface that gives me the possibility of
at least eight channels,” he observes. “That
is the reason I chose the MIO for set work.”
He offers “The Passion” as an example. “From
an audio standpoint, this film was extremely difficult in that
it was filmed using at least three cameras at the same time, necessitating
the use of radio mics, but so much went on apart from the dialog. The
screaming crowds made the use of stereo mics simultaneously a
necessity. In this situation, I used the MIO a lot, because I
needed many channels.”
In addition to his Metric Halo equipment, Argentieri’s
uniquely audiophile approach also includes Manley and Millennia
Media mic preamps -- and he insists on making his own silver audio
cables and screened power cables. “I believe that high-end
cables, the best mic preamp, powering all the equipment respecting
the electrical phase, and using shielded power cords are all elements
that, summed together, will produce a big difference. I know that
is not the normal setup for the movie sound recordist but I love
that sound and I will follow that forever.”
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